Books in Modern Library Paperbacks series

Following the tremendous popular success of Jane Eyre, which earned her lifelong notoriety as a moral revolutionary, Charlotte Brontë vowed to write a sweeping social chronicle that focused on "something real and unromantic as Monday morning." Set in the industrializing England of the Napoleonic wars and Luddite revolts of 1811-12, Shirley (1849) is the story of two contrasting heroines. One is the shy Caroline Helstone, who is trapped in the oppressive atmosphere of a Yorkshire rectory and whose bare life symbolizes the plight of single women in the nineteenth century. The other is the vivacious Shirley Keeldar, who inherits a local estate and whose wealth liberates her from convention. A work that combines social commentary with the more private preoccupations of Jane Eyre, Shirley demonstrates the full range of Brontë's literary talent. "Shirley is a revolutionary novel," wrote Brontë biographer Lyndall Gordon. "Shirley follows Jane Eyre as a new exemplar--but so much a forerunner of the feminist of the later twentieth century that it is hard to believe in her actual existence in 1811-12. She is a theoretic possibility: what a woman might be if she combined independence and means of her own with intellect. Charlotte Brontë imagined a new form of power, equal to that of men, in a confident young woman [whose] extraordinary freedom has accustomed her to think for herself....Shirley [is] Brontë's most feminist novel."The Modern Library has played a significant role in American cultural life for the better part of a century. The series was founded in 1917 by the publishers Boni and Liveright and eight years later acquired by Bennett Cerf and Donald Klopfer. It provided the foun-dation for their next publishing venture, Random House. The Modern Library has been a staple of the American book trade, providing readers with affordable hard-bound editions of important works of liter-ature and thought. For the Modern Library's seventy-fifth anniversary, Random House redesigned the series, restoring as its emblem the running torchbearer created by Lucian Bernhard in 1925 and refurbishing jackets, bindings, and type, as well as inau-gurating a new program of selecting titles. The Modern Library continues to provide the world's best books, at the best prices.

"American writing, before and after Dreiser's time, differed almost as much as biology before and after Darwin," said H. L. Mencken. Sister Carrie, Dreiser's great first novel, transformed the conventional "fallen woman" story into a bold and truly innovative piece of fiction when it appeared in 1900. Naïve young Caroline Meeber, a small-town girl seduced by the lure of the modern city, becomes the mistress of a traveling salesman and then of a saloon manager, who elopes with her to New York. Both its subject matter and Dreiser's unsparing, nonjudgmental approach made Sister Carrie a controversial book in its time, and the work retains the power to shock readers today. "Sister Carrie came to housebound and airless America like a great free Western wind, and to our stuffy domesticity gave us the first fresh air since Mark Twain and Whitman," noted Sinclair Lewis. "Dreiser enlarged, willy-nilly, by a kind of historical accident if The Modern Library has played a significant role in American cultural life for the better part of a century. The series was founded in 1917 by the publishers Boni and Liveright and eight years later acquired by Bennett Cerf and Donald Klopfer. It provided the foundation for their next publishing venture, Random House. The Modern Library has been a staple of the American book trade, providing readers with afford-able hardbound editions of impor-tant works of literature and thought. For the Modern Library's seventy-fifth anniversary, Random House redesigned the series, restoringas its emblem the running torch-bearer created by Lucian Bernhard in 1925 and refurbishing jackets, bindings, and type, as well as inau-gurating a new program of selecting titles. The Modern Library continues to provide the world's best books, at the best prices.

Sons and Lovers is one of the landmark novels of the twentieth century. It was immediately recognized as the first great modern restatement of the oedipal drama when it appeared in 1913 and is widely considered the major work of D.H. Lawrence's early period. This intensely autobiographical novel recounts the story of Paul Morel, a young artist growing to manhood in a British working class family rife with conflict. The author's vivid evocation of life in a Nottingham mining village in the years before the First World War and his depiction of the all-consuming nature of possessive love and sexual attraction make this one of his most powerful novels. "Of all Lawrence's work, Sons and Lovers tells us most about the emotional source of his ideas," observed Diana Trilling. "The famous Lawrence theme of the struggle for sexual power--and he is sure that all the struggles of civilized life have their root in this primary contest--is the constantly elaborated statement of the fierce battle which tore Lawrence's family." For Kate Millett, "Sons and Lovers is a great novel because it has the ring of something written from deeply felt experience. The past remembered, it conveys more of Lawrence's own knowledge of life than anything else he wrote. His other novels appear somehow artificial beside it."

" Like so many fond parents I have in my heart of hearts a favourite child," wrote Charles Dickens. "And his name is David Copperfield." Of all of Dickens's novels, David Copperfield most closely reflects the events of his own life. The story of an abandoned waif who discovers life and love in an indifferent world, this classic tale of childhood is populated with a cast of eccentrics, innocents, and villains who number among the author's greatest creations. "David Copperfield is filled with characters of the most astonishing variety, vividness, and originality," noted Somerset Maugham. "They are not realistic and yet they abound with life. There never were such people as the Micawbers, Pegotty and Barkis, Traddles, Betsey Trotwood and Mr. Dick, Uriah Heep and his mother. They are fantastic inventions of Dickens's exultant imagination, but they have so much vigor, they are so consistent, they are presented with so much conviction, that you believe in them. They are extravagant, but not unreal, and when you have once to know them you can never quite forget them." T. S. Eliot agreed: "Dickens excelled in character; in the creation of characters of greater intensity than human beings." And Virginia Woolf concluded: "In David Copperfield, though char-acters swarm and life flows into every creek and cranny, some common feelings--youth, gaiety, hope--envelops the tumult, brings the scattered parts together, and invests the most perfect of all the Dickens novels with an atmosphere of beauty." The Modern Library has played a significant role in American cultural life for the better part of a century. The series was founded in 1917 by the publishers Boni and Liveright and eight years later acquired by Bennett Cerf and Donald Klopfer. It provided the foun-dation for their next publishing venture, Random House. The Modern Library has been a staple of the American book trade, providing readers with affordable hardbound editions of important works of literature and thought. For the Modern Library's seventy-fifth anniversary, Random House redesigned the series, restoring as its emblem the running torchbearer created by Lucian Bernhard in 1925 and refurbishing jackets, bindings, and type, as well as inaugurating a new program of selecting titles. The Modern Library continues to provide the world's best books, at the best prices.

The Professor was the first novel that Charlotte Brontë completed. Rejected by the publisher who took on the work of her sisters in 1846--Anne's Agnes Grey and Emily's Wuthering Heights--it remained unpublished until 1857, two years after Charlotte Brontë's death. Like Villette (1853), The Professor is based on her experiences as a language student in Brussels in 1842. Told from the point of view of William Crimsworth, the only male narrator that she used, the work formulated a new aesthetic that questioned many of the presuppositions of Victorian society. Brontë's hero escapes from a humiliating clerkship in a Yorkshire mill to find work as a teacher in Belgium, where he falls in love with an impoverished student-teacher, who is perhaps the author's most realistic feminist heroine. The Professor endures today as both a harbinger of Brontë's later novels and a compelling read in its own right. "The middle and latter portion of The Professor is as good as I can write," proclaimed Brontë. "It contains more pith, more substance, more reality, in my judgment, than much of Jane Eyre."The Modern Library has played a significant role in American cultural life for the better part of a century. The series was founded in 1917 by the publishers Boni and Liveright and eight years later acquired by Bennett Cerf and Donald Klopfer. It provided the foun-dation for their next publishing venture, Random House. The Modern Library has been a staple of the American book trade, providing readers with affordable hard-bound editions of important works of liter-ature and thought. For the Modern Library's seventy-fifth anniversary, Random House redesigned the series, restoring as its emblem the running torchbearer created by Lucian Bernhard in 1925 and refurbishing jackets, bindings, and type, as well as inau-gurating a new program of selecting titles. The Modern Library continues to provide the world's best books, at the best prices.

Gathered by the renowned Irish poet, playwright, and essayist William Butler Yeats, the sixty-five tales and poems in this delightful collection uniquely capture the rich heritage of the Celtic imagination. Filled with legends of village ghosts, fairies, demons, witches, priests, and saints, these stories evoke both tender pathos and lighthearted mirth and embody what Yeats describes as “the very voice of the people, the very pulse of life.” “The impact of these tales doesn’t stop with Yeats, or Joyce, or Oscar Wilde,” writes Paul Muldoon in his Foreword, “for generations of readers in Ireland and throughout the world have found them flourishing like those persistent fairy thorns.”From the Trade Paperback edition.

Etched against the background of a dying rural society, Tess of the d'Urbervilles was Thomas Hardy's "bestseller," and Tess Durbeyfield remains his most striking and tragic heroine. Of all the characters he created, she meant the most to him. Hopelessly torn between two men--Alec d'Urberville, a wealthy, dissolute young man who seduces her in a lonely wood, and Angel Clare, her provincial, moralistic, and unforgiving husband--Tess escapes from her vise of passion through a horrible, desperate act. ----"Like the greatest characters in literature, Tess lives beyond the final pages of the book as a permanent citizen of the imagination," said Irving Howe. "In Tess he stakes everything on his sensuous apprehension of a young woman's life, a girl who is at once a simple milkmaid and an archetype of feminine strength. . . . Tess is that rare creature in literature: goodness made interesting."----Now Tess of the d'Urbervilles has been brought to television in a magnificent new co-production from A&E Network and London Weekend Television. Justine Waddell (Anna Karenina) stars as the tragic heroine, Tess; Oliver Milburn (Chandler & Co.) is Angel Clare; and Jason Flemyng is Alec d'Urberville. The cast also includes John McEnery (Black Beauty) as Jack Durbeyfield and Lesley Dunlop (The Elephant Man) as Joan Durbeyfield. Tess of the d'Urbervilles is directed by Ian Sharp and produced by Sarah Wilson, with a screenplay by Ted Whitehead; it was filmed in Hardy country, the beautiful English countryside in Dorset where Thomas Hardy set his novels.The Modern Library has played a significant role in American cultural life for the better part of a century. The series was founded in 1917 by the publishers Boni and Liveright and eight years later acquired by Bennett Cerf and Donald Klopfer. It provided the foun-dation for their next publishing venture, Random House. The Modern Library has been a staple of the American book trade, providing readers with affordable hardbound editions of important works of literature and thought. For the Modern Library's seventy-fifth anniversary, Random House redesigned the series, restoring as its emblem the running torchbearer created by Lucian Bernhard in 1925 and refurbishing jackets, bindings, and type, as well as inaugurating a new program of selecting titles. The Modern Library continues to provide the world's best books, at the best prices.

With her final novel, Villette, Charlotte Bronte reached the height of her artistic power. First published in 1853, Villette is Bronte's most accomplished and deeply felt work, eclipsing even Jane Eyre in critical acclaim. Her narrator, the autobiographical Lucy Snowe, flees England and a tragic past to become an instructor in a French boarding school in the town of Villette. There, she unexpectedly confronts her feelings of love and longing as she witnesses the fitful romance between Dr. John, a handsome young Englishman, and Ginerva Fanshawe, a beautiful coquetter. This first pain brings others, and with them comes the heartache Lucy has tried so long to escape. Yet in spite of adversity and disappointment, Lucy Snowe survives to recount the unstinting vision of a turbulent life's journey—a journey that is one of the most insightful fictional studies of a woman's consciousness in English literature.From the Paperback edition.

"Washington Square is perhaps the only novel in which a man has successfully invaded the feminine field and produced work comparable to Jane Austen's," said Graham Greene. Inspired by a story Henry James heard at a dinner party, Washington Square tells how the rakish but idle Morris Townsend tries to win the heart of heiress Catherine Sloper against the objections of her father. Precise and understated, the book endures as a matchless social study of New York in the mid-nineteenth century. The Modern Library has played a significant role in American cultural life for the better part of a century. The series was founded in 1917 by the publishers Boni and Liveright and eight years later acquired by Bennett Cerf and Donald Klopfer. It provided the foundation for their next publishing venture, Random House. The Modern Library has been a staple of the American book trade, providing readers with afford- able hardbound editions of impor-tant works of literature and thought. For the Modern Library's seventy-fifth anniversary, Random House redesigned the series, restoringas its emblem the running torch-bearer created by Lucian Bernhard in 1925 and refurbishing jackets, bindings, and type, as well as inau-gurating a new program of selecting titles. The Modern Library continues to provide the world's best books, at the best prices.

(Book Jacket Status: Jacketed)Of the three late masterpieces that crown the extraordinary literary achievement of Henry James, The Wings of the Dove (1902) is at once the most personal and the most elemental. James drew on the memory of a beloved cousin who died young to create one of the three central characters, Milly Theale, an heiress with a short time to live and a passion for experiencing life to its fullest. To the creation of the other two, Merton Densher and the magnificent, predatory Kate Croy, who conspire in an act of deceit and betrayal, he brought a lifetime's distilled wisdom about the frailty of the human soul when it is trapped in the depths of need and desire. And he brought to the drama that unites these three characters, in the drawing rooms of London and on the storm-lit piazzas of Venice, a starkness and classical purity almost unprecedented in his work. Under its brilliant, coruscating surfaces, beyond the scrim of its marvelous rhetorical and psychological devices, The Wings of the Dove offers an unfettered vision of our civilization and its discontents. It represents a culmination of James's art and, as such, of the art of the novel itself.